ILM's David Vickery on combining practical and digital
Ian Failes from befores & afters chats to ILM creative director David Vickery about his experience combining practical and digital dinos on recent Jurassic World films.
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Apple Actus 🍏 - Les Actus de la Pomme
Le6lindre
J-WAVE TOPPAN INNOVATION WORLD ERA
J-WAVE
Business of Tech: Daily 10-Minute IT Services Insights
MSP Radio
DevOps Sauna from Eficode
Eficode
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Sound On Sound
XTraw AI: Machine Learning and AI Applications
Venkata"Raghu Banda"
We Are Selling with Lee Woodward
Lee Woodward
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Soterion
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Tim Van Woeart
LessWrong (30+ Karma)
LessWrong
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DailyArxiv
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befores & afters
Ian Failes
One Minute Podcast Tips - Be a Better Podcaster in Just 60 Seconds
Danny Brown
Jack Hopkins
Jack Hopkins
Artifacts: Stories from the Emotional History of the Internet
Danny Brown
Two Blokes Talking Tech
Trevor Long and Stephen Fenech
RFM - PorchatGPT
RFM
蘭萱時間
蘭萱｜中廣流行網
AppleInsider Podcast
AppleInsider
Radio@Radio
luca corte
40 nuances de Next
FeuilleBlanche Studio
Your Podcast Consultant: Podcast Tips To Avoid Podcasting Mistakes
Dave Jackson
BrainStuff
iHeartPodcasts
Roz & Mocha
Frequency Podcast Network
The Cyber Threat Perspective
SecurIT360
Plaintext with Rich
Rich Greene
ChatGPT - Sol Good Shorts
Sol Good Network
Chat GPT Questions
Sol Good Network
Chat GPT Universal Wisdom
Sol Good Network
Chat GPT Infinite Intelligence
Sol Good Network
Chat GPT Collective Consciousness
Sol Good Network
Horatio Hornblower Daily
C.S. Forester
Old Time Radio Horatio Hornblower
C.S. Forester
Chat GPT Podcast
Sol Good Network
Nine Finger Chronicles - Deer Hunting Podcast
Dan Johnson, Sportsmen's Empire
Technology
befores & afters
Ian Failes
ILM's Cary Phillips on the development of Cari for 'Dragonheart'
Ian Failes from befores & afters chats to Cary Phillips, who is Director, R&D Engineering Architect at ILM, about the development of Cari for 'Dragonheart.'
Crafting that killer oner for season 2 of Daredevil: Born Again
Ian Failes from befores & afters chats to 'Daredevil: Born Again' visual effects supervisor Gong Myung Lee and visual effects producer Fahed "Freddy" Alhabib, to break down the oner, the ship VFX, and the other invisible...
Fire, explosions, water and deer: the visual effects of season 3 of 'The Night Agent'
Ian Failes from befores & afters chats to visual effects supervisor Chad Wanstreet about the visual effects of season 3 of 'The Night Agent'.
The visual effects of Star Trek: Starfleet Academy
Ian Failes from befores & afters chats to 'Star Trek: Starfleet Academy' visual effects supervisor Jason Zimmerman about virtual production, digital characters, space scenes and motion graphics.
How to get the most out of the VES On-Set VFX Data Collection and Usage Guide
Ian Failes from befores & afters chats to visual effects supervisor Sheena Duggal, and VFX supervisor and virtual production supervisor Jim Geduldick, about the newly released VES On-Set VFX Data Collection and Usage Gui...
Behind the visual effects of 'Ted' season 2, including the bear, and the deepfake Bill Clinton
Ian Failes from befores & afters chats to 'Ted' s2 visual effects supervisors Hoyt Yeatman and Blair Clark about the creation of the main character, and the deepfake work that went into the appearance of Bill Clinton.
How ILM invented ambient occlusion for 'Pearl Harbor'
Ian Failes from befores & afters chats to ILM's Ben Snow and Hayden Landis on the 25th anniversary of 'Pearl Harbor', looking back at key ILM innovations, including ambient occlusion, from the film.
A mysterious creature in a mysterious retirement community: the VFX of 'The Boroughs'
Ian Failes from befores & afters chats to visual effects supervisor Tara DeMarco about 'The Boroughs', and the creature, environment, TV distortion effects and other VFX in the Netflix show.
A deep dive into the visual effects of 'Murderbot'
Ian Failes from befores & afters chats to 'Murderbot' production visual effects supervisor Sean Faden.
The old-school show-within-a-show in 'Wonder Man' used some old-school effects techniques
Ian Failes from befores & afters chats to production visual effects supervisor John Haley about 'Wonder Man', including on the use of forced perspective miniatures.
The art of CG ping pong balls and crowds in 'Marty Supreme'
Ian Failes from befores & afters chats to 'Marty Supreme' visual effects supervisor Eran Dinur about crafting the ping pong match VFX in the film.
How to make a photoreal CG octopus: the VFX of 'Remarkably Bright Creatures'
Ian Failes from befores & afters chats to 'Remarkably Bright Creatures' visual effects supervisor Chris Ritvo about Untold Studios' delightful octopus in the film and how it was made.
In-depth on the all the key explosive visual effects in Netflix's 'Man on Fire'
Ian Failes from befores & afters talks to 'Man on Fire' visual effects supervisor Kevin Lingenfelser about the residential tower destruction, the lear jet sequence and that signature 'man on fire' moment with the main ch...
How the artistic innovations behind the 'Spider-Verse' films led to a Scientific and Technical Award
Ian Failes from befores & afters talks to the Sony Pictures Imageworks recipients about their Scientific and Technical Award stemming from stylized and artistic innovations on the 'Spider-Verse' films.
ILM's Ben Morris reflects on 'The Last Jedi' and 'ABBA Voyage'
Ian Failes from befores & afters chats to Ben Morris, creative director at ILM London. Here we jump into two of the large projects he helped oversee at ILM, which were Star Wars: The Last Jedi, and ABBA Voyage. We go int...
ILM's Rachel Rose on the R&D side of visual effects
Ian Failes from befores & afters chats to Rachel Rose, Director of R&D at ILM, about the development of virtual production and real-time tools, like StageCraft, and her work on the tools Block Party for rigging and Fez f...
ILM's Jeff White breaks down that incredible oner from 'The Avengers'
Ian Failes from befores & afters chats to visual effects supervisor Jeff White, now creative director at ILM Vancouver, on his roles on the Transformers films, the development of BlockParty, that New York oner in The Ave...
Rob Bredow shares 'Solo' stories, and how ILM inspired him before he was even at ILM
Ian Failes from befores & afters chats to Rob Bredow, Senior Vice President, Creative Innovation at Lucasfilm, about his time at ILM.
A deep dive into Wētā FX's visual effects for 'A Minecraft Movie'
Ian Failes from befores & afters chats to Wētā FX visual effects supervisor Sheldon Stopsack and animation supervisor Kevin Estey about 'A Minecraft Movie', including the character Malgosha.